Loving the playful geometric portraits of Indonesian artist Yuschav Arly. Brace yourself for a whole lot of teal. There’s something very appealing about constraining one’s work to a very particular palette – an approach common among a lot of my favourite artists and illustrators.Read More
I've just noticed that Douglas Coupland has a new website. It might be new. It certainly looks new, and I don't remember it being there before, so … let's assume it's new. I'm a big fan of Coupland's writing – my faded pink edition of Generation X is never too far away – but I've only recently explored his art. It treads that big murky line between art and design; a blend of Mark Farrow, Peter Saville, Bill Drummond and Anthony Burrill. In summary: rather tasty.
If you aren't already familiar with Simon Stalenhag's Scandi-scifi art, I suggest you get over to his site at once. He paints an ominous blend of the nightmarish and the calm, landscapes depicting the aftermath (or normalisation) of some horrifying techno-biological events. Often narratively linked, Stalenhag's work looks like concept art for the greatest film never made. It's surely only a matter of time before Hollywood comes calling – just imagine him paired up with Alex Garland, David Fincher or Denis Villeneuve.
Ed Ruscha with six of his books on his head. Photograph by Jerry McMillan, 1970. I would love a copy of every one of those, but mostly I want that shirt because hot damn.
Jack Coggins' space-age illustrations – particularly these from Rockets, Jets, Guided Missiles and Spaceships (1951) and By Spaceship to the Moon (1952) – depict the future from a very particular period, when the idea of manned space exploration was transitioning from pure fantasy to exciting possibility. And they're beautiful. Rather than fretting about pathetic little borders down here on Earth, maybe we should be embracing more of this kind of species-wide optimism and sense of adventure. Check out jackcoggins.info for more of Coggins' work.
"When things get tough, this is what you should do: Make good art. I’m serious. Husband runs off with a politician — make good art. Leg crushed and then eaten by a mutated boa constrictor — make good art. IRS on your trail — make good art. Cat exploded — make good art. Someone on the Internet thinks what you’re doing is stupid or evil or it’s all been done before — make good art. Probably things will work out somehow, eventually time will take the sting away, and that doesn’t even matter. Do what only you can do best: Make good art. Make it on the bad days, make it on the good days, too."
—Neil Gaiman, Make Good Art
I keep seeing Alexay Kondakov pictures all over the web at the moment (although ironically, not in the real world), so I thought I'd pick out a few of my favourites. To those not familair with his work: he basically places characters from classical paintings into contemporary urban settings, imbuing the figures with a new seediness and violence. As well as some deft Photoshoppery, the real beauty of these is in the well-observed pairing of painting, location and lighting. I particularly like the comic shop one – those looks of indifferent superiority are absolutely spot on.