I have to admit that so far, my life has been absent of Virginia Woolf – unless you include that film with Nicole Kidman's nose – but this passage from the London Library's On Reading, Writing and Living with Books (designed by David Pearson) really grabbed my attention:
It would be foolish … to pretend that the second part of reading, to judge, to compare, is as simple as the first — to open the mind wide to the fast flocking of innumerable impressions. To continue reading without the book before you, to hold one shadow-shape against another, to have read widely enough and with enough understanding to make such comparisons alive and illuminating — that is difficult; it is still more difficult to press further and to say, ‘Not only is the book of this sort, but it is of this value; here it fails; here it succeeds; this is bad; that is good.’ To carry out this part of a reader’s duty needs such imagination, insight, and learning that it is hard to conceive any one mind sufficiently endowed; impossible for the most self-confident to find more than the seeds of such powers in himself.
Would it not be wiser, then, to remit this part of reading and to allow the critics, the gowned and furred authorities of the library, to decide the question of the book’s absolute value for us? Yet how impossible! We may stress the value of sympathy; we may try to sink our won identity as we read. But we know that we cannot sympathize wholly or immerse ourselves wholly; there is always a demon in us who whispers, ‘I hate, I love,’ and we cannot silence him. Indeed, it is precisely because we hate and we love that our relation with the poets and novelists is so intimate that we find the presence of another person intolerable. And even if the results are abhorrent and our judgments are wrong, still our taste, the nerve of sensation that sends shocks through us, is our chief illuminant; we learn through feeling; we cannot suppress our own idiosyncrasy without impoverishing it.
But as time goes on perhaps we can train our taste; perhaps we can make it submit to some control. When it has fed greedily and lavishly upon books of all sorts — poetry, fiction, history, biography — and has stopped reading and looked for long spaces upon the variety, the incongruity of the living world, we shall find that it is changing a little; it is not so greedy, it is more reflective.
It may have been written 90-odd years ago, but this still seems remarkably pertinent. Everyone is a published critic these days, everyone is screaming their taste at everyone else.