Paul Rand is a little gap on my bookshelf. Princeton Architectural Press’ recent reprint of his 1985 monograph A Designer's Art (complete with obligatory afterword by Steven Heller) pretty much lives on my desk these days. Over 27 essays, he discusses a wide range of subjects still pertinent to design today, all accompanied by numerous examples of his work (more of which can be found at paul-rand.com). Demonstrating Rand's ability to simplify shape and colour and space into the most striking form, it's surprising how contemporary much of it seems – there are posters and covers and identities in here from seventy years ago that could've been made yesterday. One gripe: given Rand’s distinctive use of colour, it’s a shame that some of the images are black and white. Still, it's a stunning collection and offers a valuable education from one of design's greatest teachers; open it on any page and there's something that will spark inspiration. An essential read for designers, artists and everything in-between.
Marilyn Monroe hairdress test for Let's Make Love, 1960. Although it’s just a functional image, I love the surreal composition of this. I think I may prefer all of the photography surrounding Monroe’s films – especially the many candid shots of her reading – than the films themselves.
Drab. Depressing. Repulsive. Eyesore. Embarrassment. Soulless. Put it out of its misery. Tear it down. Tear it all down. York's Stonebow House puts up with a lot of abuse.Read More