I have a camera. I think I know how it works. There's the turny bit, and there's the inny-outy bit, and there's all those numbers and letters that do stuff. I'm particularly proud of some of the things I've shot with it, such as Some Feet and Nice Breakfast With Chorizo and the ongoing Distant Blurred Son series. But then I see the work of a real photographer like Pip, and I realise I know nothing at all. He uses his little black box to capture light and character and moment and turn it all into something more. His portraits of British actors are particularly beautiful (although if you ask me, capturing someone's essence by shooting their face rather than their feet is just cheating). Check out his portfolio for more of this sort of thing.