Films

Here's everything I watched in May, on small screen and large. For further discussion, all links lead to the corresponding bit of my Letterboxd profile. And yes, I did pinch this monthly movie missive idea from Khoi Vinh.

  • The Silence of the Lambs. Still incredible. If you can't afford film school, just buy this and watch it every day for a month. You will learn a LOT
  • Prometheus. Thought it might be a good idea to watch this again before seeing Alien: Covenant. It wasn't.
  • The Guardians of the Galaxy Vol. 2. Lots of good stuff, lots of bloat. I never thought I'd say this about anything, but Michael Rooker is the star here. 
  • Moana. So many times. Is it as good as Tangled? Quite possibly.
  • Margin Call. I'd heard good things about this for a while, but never quite found myself in the "ooh, I'll watch a low budget banking drama" state of mind. And then it appeared on iPlayer and I gave it a shot – and oh boy, it's good. Highly recommended. 
  • Alien: Covenant. Such high hopes, but despite the title, this is more of a Prometheus film than an Alien one. And it weirdly has the same boring core as Guardians
  • Coherence. Made for approximately five quid, and all the better for it. 
  • I Origins. Really wasn't sure about this one right up until the last scene, and then it completely broke me (partly because of a beautiful bit of Radiohead). Raises some big questions about science and faith – it's a great late night discussion-starter. 
  • The One I Love. A three minute short film dragged all the way out to a feature. Shot at Ted Danson's house apparently, so maybe worth watching if you like a spot of Through the Keyhole. Rooney Mara is credited as costume designer, which is utterly preposterous for a film that features a frock and a couple of shirts. 
  • Wild at Heart. Back when Cage was Good Weird rather than Bad Weird, and Dern was approximately 8 feet tall and had to hold her hair in place for entire movies. Vastly superior in every way to the embarrassingly poor new season of Twin Peaks.
  • WALL-E. Brilliant, obviously. Not sure why exactly, but I have a feeling that this would make a cracking double bill with La La Land.
  • Rogue One. Second time around and … nope, still doesn't work for me. Mostly down to the unlikeable characters, the unnecessarily convoluted plot and the weird no-loose-ends third act. 
  • Tangled. Love it love it love it. Straddles so many genres, and wins them all. Those celebrating the fact that Wonder Woman is the first successful female-led superhero movie clearly haven't seen this. Or Moana. Or Frozen.
  • Nightcrawler. Dr B didn't like this at all, but I rather liked the cynical, sleazy, Taxi Driver-ish feel to it – but you do need to have a shower or two afterwards.
  • La La Land. Still utterly adorable, but it loses a lot on the small screen. As with any film about films, this demands to be seen on the biggest, brightest screen possible.
  • Solace. A fine, forgettable little thriller. Notable for apparently being written as a sequel to Seven
  • Hop. Surprisingly inoffensive, and stands up to repeat viewings with the boy. Basically the Easter equivalent of Arthur Christmas. Russell Brand is really rather good – and surprisingly tolerable – as a voiceover actor, and James Mars den continues to be one of Hollywood's most underrated talents.