Here's last month's slew of cinematic happenings. Check out my Letterboxd profile for more of this sort of thing.
Wonder Woman. A lot of fun, at least until the standard issue DC climax kicks in. Gal Gadot is absolutely perfect in the role. Much like Captain America and The Rocketeer, the film benefits hugely from a period setting and being stand-alone. Rather than skip straight to present day, I'd love to see the sequels tackle other eras – 70s New York WW would be glorious, if only for the hair – without those silly boys getting in the way.
Suicide Squad. It's like they took a bad film and then recut it to deliberately make it even worse. And then they patched over the joins by occasionally fading Best Rocks Anthems Ever Volume 3 in and out every so often. The result is teetering on the very edge of what constitutes a film.
Tangled. Deservedly holding a permanent spot in this list. Watching for the umpteenth time, and it struck me how near damn perfect the comic timing is. The dialogue, the editing, the action, the expressions of the characters, all absolutely spot on. And there's a lot of comedy, none of which falls flat. Honestly can't think of another film that I laugh at more. Should be a set text in comedy school.
Hop. Many, many times. The boy's new favourite film. Actually rather good.
Moneyball. Given that's it's about a sport I have absolutely no interest in, this was really rather good. Whole scenes of baseball player trading shenanigans went way over my head, but somehow I was still riveted. The always underrated Pitt absolutely perfect in lead role.
Morgan. Imagine if Ex Machina was sucked dry of all goodness and remade as a TV movie; maybe an episode of nineties Outer Limits. The Scott family should probably stop making films about robots.
Valkyrie. Some tense moments, but frustratingly keeps falling short of full-on seat-edge nail-biter. And nobody's quite sure what accent to go for.
Apollo 13. Damn fine film, and a timely reminder that Ron Howard is a hugely underrated director. Looking forward to seeing what he does with Han Solo.
Baby Driver. Enjoyed this immensely. Huge smile on my face from beginning to end. Weirdly, the wit and invention and sheer joy of it all gave me the same overwhelmed-by-glee feeling I get from watching Hey Duggee. Stick that on the poster.
The Autopsy of Jane Doe. Good fun. Very creepy, up to a point. An interesting case study in the effect lighting, editing and music can have on your perception of a completely still face.