Black & Chrome

The black and white  – sorry, black and chrome – version of Mad Max: Fury Road is finally coming to the big screen this April (a good excuse to appreciate Changethethought's wonderful heavy-type poster). It may seem like a trivial adjustment, but going black and white can change a film in unexpected ways. For example, Frank Darabont's superior cut of The Mist feels more like a particularly excellent episode of The Outer Limits. And if you watch Saving Private Ryan or Raiders of the Lost Ark with the colour turned right down, it somehow seems more realistic, closer to the imagery of the era that we're most familiar with. Anyway, this is apparently George Miller's preferred version of the film, so it'll be interesting to see how it differs. It looks wonderfully, appropriately oily.