Reading: A Burglar’s Guide to the City

I’ve been a fan of Geoff Manaugh’s BLDGBLOG for a years – his intelligent look at the world from a very particular architectural perspective makes it one of those blogs that leaves you feeling a little bit smarter after every visit. His post Nakatomi Space , which reappraises Die Hard as one of the all time great films about architecture, radically altered the way I read films and buildings.

That piece pops up again in A Burglar’s Guide to the City, Manaugh's entertaining and insightful exploration of how city and crime are shaped by one another. It’s filled with anecdotes from both sides of the law and across history. There's the 19th century architect and socialite who was at one time responsible for 80 percent of all bank robberies in the US; the burglar who lived inside a Toys R Us for months, setting up his own surveillance network using baby monitors; the inventor who developed a material so sturdy and impenetrable that his panic rooms may well be the last architectural structures left standing long after the collapse of civilisation.

It’s an absolutely cracking read, and well worth dipping your nose into even if your aren’t planning any heists in the foreseeable future – although by the end of it you may well be tempted.

The Face Redux

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NME RIP. It was a slow, painful death, but it’s still left a great void in British pop journalism. Which seems like as good an excuse as any to relaunch The Face, right? But not your grandma's The Face; a different kind of magazine to the original, but retaining the same core pop ethos. Quarterly, thick, high production values, passionate writing about pop, not fighting the tide of the web. And NOT nostalgic. So no dragging back the old writers to relive the good old days; get some new voices out there (consider this a very optimistic job application). Structurally, the Little White Lies model would work well. One big fat interview with the cover star – guess who my suggestion for the first issue would be – followed by lots of tangentially related stories, offering the sort of depth you don't get online.

You never know, it could happen. 

New work: James Joyce

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A particularly fun element of last year's Wolpe Collection launch was the opportunity to redesign some classic Faber & Faber jackets using the new versions of Berthold Wolpe’s typefaces. I spent way too long mulling over whether or not this one needed an eyepatch over the O, but in the end I just let the Albertus Nova curly bracket do all the work.