The Pebbles on the Beach


We’ve just returned from three glorious days of seaside frolicking at Boggle Hole in Robin Hood’s Bay. Within moments of arriving, I dawned on me that I’d made a huge mistake and neglected to buy Clarence Ellis’ rock-spotter’s guide The Pebbles on the Beach. Faber's beautiful new edition, designed by Alex Kirby and illustrated by Eleanor Crow, has a wonderful fold-out jacket for easy reference and would’ve really come in handy for imparting some geological wisdom to my boy.

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In its absence, he had to make do with my own home-brewed classifications, such as: small pebble; largish pebble; black pebble with a stripe; pebble that is probably a new potato; don’t touch that pebble, a dog made it; and fossil it’s a fossil FOSSIL no wait it’s seaweed.

Chris Ware on the New Yorker


Over the last ten years, Chris Ware has been capturing the shifting values, worries and conventions of 21st century parenthood on his covers for The New Yorker. From the playground full of fathers to the ubiquitous glowing screen of the always-online parent, these scenes will be all-too familiar to any parent. Here are some of the best.

Every Month

Every month more than 300 Irish women travel to UK to seek an abortion. To support the campaign to repeal the Eight Amendment and help bring safe and legal abortion to Ireland, illustrator Philip Kennedy has made Every Month, a free zine for you to download, print and distribute/scatter. And then once you've done that, check out Kennedy's excellent and educational Illustration Chronicles.

Jack Coggins

Jack Coggins' space-age illustrations – particularly these from Rockets, Jets, Guided Missiles and Spaceships (1951) and By Spaceship to the Moon (1952) – depict the future from a very particular period, when the idea of manned space exploration was transitioning from pure fantasy to exciting possibility. And they're beautiful. Rather than fretting about pathetic little borders down here on Earth, maybe we should be embracing more of this kind of species-wide optimism and sense of adventure. Check out for more of Coggins' work.



Delve is a weekly newsletter from Human After All and a coterie of film critics (Ian Freer, Peter Bradshaw, Tim Robey, Karen Krizanovich and Jonathan Crocker). It's basically a film-of-the-week thing with a bundle of interesting related links thrown in, but the best bit is the new limited edition artwork that accompanies each issue – often better than any official posters. David Mahoney's Arrival piece is suitably ominous, and just imagine if Karolis Strautniekas' Spectre artwork was the basis for the film's opening credits. Gorgeous stuff. Obviously, all of these deserve to exist outside of your inbox, so thankfully prints are available from the Delve shop.

The Force Awakens

I Am Shark have just announced a 2xLP collector’s edition release of John Williams' Star Wars Episode VII: The Force Awakens score, with four gatefold sleeves illustrated by the consistently splendid Dan Mumford. And dear crikey, they're beautiful. Only 500 copies will be available of each design – all of which will have sold out by the time I've decided which one I want. Decisions decisions …